Representation of queer characters in horror fiction and film was often fraught with problems in the best case scenarios, or outrightly hostile at worst. But in the last decades especially LGBTIQ+ writers have taken on the genre and created complex engagements with horror and queer identity away from the doom and gloom of earlier phobic depictions in the mainstream. Adressing intersecting notions of the queer and horror, the normative and the Other, these works ask us to rethink where we draw lines and how we make rigid transformative and fluid identities.
1. Let The Right One In by John Ajvide Lindqvist
This Swedish vampire story has been adapted to the big screen and been a popular read. 12 year old Oskar’s new friend Eli is a strange one and she only comes out at night. Let The Right One In notably deals with issues of Othering, pederasty and adolescent sexuality as well as the performance of binary gender identity.
2. Affinity by Sarah Waters
One of my favorite authors, Sarah Waters continuously writes engaging, addictive page-turners with lesbian characters. Affinity, once again set in Victorian London, depicts a complex relationship between Selina a jailed occultist and charity worker Margaret who visits the prisoners of the women’s ward.
3. The Gilda Stories by Jewelle Gomez
In the 1850s a young Black girl escapes from slavery and finds community in Gilda’s sisterhood of vampires. The Gilda Stories challenges notions of binary gender identity, sexuality and what it means to be a “monster.”
4. Sea, Swallow Me by Craig Laurance Gidney
This collection of short stories centers mostly around Black gay characters and combines horror with mythology from Africa to Japan. Reaching from the Antebellum South to the contemporary US, Gidney demonstrates how we are shaped by the intersections of faith, race and sexuality. Just noticed that with the elements of mythology, fairy tales and the speculative, this could definitely be a good one for the Once Upon a Time challenge.
5. The Drowning Girl by Caitlín R. Kiernan
This one is about India Morgan Phelps, called Imps by her friends, and her attempts to make sense of her encounters with mythical creates and her family’s history of mental illness. Framed as a Imps’ recordings of these encounters, the book is a meta-heavy work of intertextuality hinted at by the book’s subtitle: a memoir. The Drowning Girl also examines issues of gender performance and transformation in Imps’ friend Abalyn who is a transwoman.
Do you enjoy horror stories? What are your favorite scary books beyond the norm?