Women of Color & Horror: 10 On My TBR

Women of Color & Horror: 10 On My TBR

woc horror blog pic final

It’s September and for me finally the beginning of the creepy season, huzzah! I’ll just ignore that last small heat wave this week, go away please summer, I have my tea and candles and creepy reads ready! I have a lot of books on my tbr that fall under speculative, horror and mystery, but I’m also working towards seeking out and supporting more women writers of Color. I’ve chosen horror because it’s a genre I’ve been wanting to explore more and because, like science-fiction and fantasy,  horror can offer women of Color a space in which to disturb social conventions and transgress boundaries.

This here is a list of 10 works by WoC writers that can be considered horror (often also fantasy) and some of which may be new to you as well. Let’s start with a better known one:

white-is-for-witching

White is for Witching by Helen Oyeyemi gr-pic

Haunted house story and a reworking of the gothic trope, Oyeyemi’s work is a psychological fest around trauma, racism and a sentient house set in Dover, England. I hope I’ll get to read it finally for RIPXI.

fabulous beasts

Fabulous Beasts by Priya Sharma gr-pic

This is a novelette or short story about two sisters or cousins and childhood abuse set in gritty Liverpool. Apparently it’s super disturbing and comes with trigger warnings for abuse, rape and incest, yikes! It’s published by TOR though.

alyssa wong

Hungry Daughters of Starving Mothers by Alyssa Wong gr-pic

Silicon recommended Alyssa Wong’s stories to me and I’ll definitely read at least one this fall since her recs are always on point. This story has also received the Nebula Award for Best Short Fiction. It’s got a vampire and is about dating and relationships!

rena mason

The Evolutionist by Rena Mason gr-pic

Set in the suburbs of Las Vegas, Stacy keeps dreaming about killing and dismembering people. She feels she’s just a normal person having very vivid nightmares and so Stacy goes to see a psychiatrist, he turns out to be not quite so normal.

unhallowed graves

Unhallowed Graves by Nuzo Onoh gr-pic

“Oja-ale is the night market run by the dead. Everything can be bought for a deadly price. Alan Pearson is a sceptical British diplomat, contemptuous and dismissive of native superstitions…Until the day he receives a terrifying purchase from the Night Market, which defies Western science and logic.” (GR) Onoh is “queen of African horror.”

solitude

Solitude by Sumiko Saulson gr-pic

“Solitude is the riveting tale of diverse individuals isolated in a San Francisco seemingly void of all other human life. In the absence of others, each journeys into personal web of beliefs and perceptions as they try to determine what happened to them, and the world around them.” (GR) Saulson also curates a Black women in horror list here.

crescendo

Crescendo by L. Marie Woods gr-pic

 James’ comfortable life changes when he begins having nightmares after his lover’s death. A family curse, can he do anything or is this his destiny? Everyone in his family has secrets. Set in tranquil Rockland County, New York.

kristine ong muslim

Age of Blight by Kristine Ong Muslim gr-pic

“What if the end of man is not caused by some cataclysmic event, but by the nature of humans themselves? In Age of Blight, a young scientist’s harsh and unnecessary experiments on monkeys are recorded for posterity; children are replaced by their doppelgangers, which emerge like flowers in their backyards; and two men standing on opposing cliff faces bear witness to each other’s terrifying ends.” (GR) A collection of short stories with illustrations.

linda ddison

How to Recognize a Demon Has Become Your Friend by Linda Addison gr-pic

“From the first African-American to receive the HWA Bram Stoker award, this collection of both horror and science fiction short stories and poetry reveals demons in the most likely people (like a jealous ghost across the street) or in unlikely places (like the dimension-shifting dreams of an American Indian). Recognition is the first step, what you do with your friends/demons after that is up to you.” (GR)

due-soul to keep

My Soul to Keep by Tananarive Due gr-pic

And of course one of my favorite writers! Last year I read Due’s The Good House and it was wonderfully atmospheric and I will make to read this one in broad daylight.

“When Jessica marries David, he is everything she wants in a family man: brilliant, attentive, ever youthful. Yet she still feels something about him is just out of reach. Soon, as people close to Jessica begin to meet violent, mysterious deaths, David makes an unimaginable confession: More than 400 years ago, he and other members of an Ethiopian sect traded their humanity so they would never die, a secret he must protect at any cost. Now, his immortal brethren have decided David must return and leave his family in Miami.” (GR)

*******

And a great opportunity to read horror and more with other book bloggers is Carl’s wonderful yearly challenge, R.I.P. – Readers Imbibing Peril, going on right now! It’s a book blogging institution and now in its 11th year. The challenge takes place from September 1st, 2016 through October 31st, 2016 and offers many different levels and genres, there’s something for everyone in it. Sign up here. I’ll be doing Peril the Second, but I hope I’ll read much more than two creepy reads.

Definitely take a look at Sharlene’s wonderful recs for a more diverse R.I.P here, she has great recommendation for all RIP genres, I know I’ll be reading The Hunter.

Lastly, check out my Queer Horror post for some creepy reading with LGBTQIA+ themes.

What are you all reading this creepy season? Let me know in the comments!

Advertisements

Book Haul: London + #VersoBooks Sale

haul post pic

What’s a vacation without splurging on books? Exactly, that’s why I love city trips and especially the wonderful bookstores and charity shops in London. The only downside of my trip was that I could only take 10kg. I’m pretty sure security had a blast at my bookshelf in a bag, but what can you do. Here’s what I got in London (all links to goodreads):

jane And Prudence

Jane and Prudence by Barbara Pym

This one was dirt cheap in a charity shop, so with my library not carrying any of her books, buying it used was actually the cheapest option. Life is weird!

rupi kaur

Milk & Honey by Rupi Kaur

Have loved so many poems by Rupi Kaur, I wanted to take a look at the whole collection.

rosemary and rue

Rosemary & Rue by Seanan McGuire

Also dirt cheap and I enjoyed this one. Now that I’v read more by McGuire I want to go back and see if the reading experience is different.

obelisk gate

The Obelisk Gate by N.K. Jemisin

I just had to get Jemisin’s new book while I had a book budget or I’d have gone green with envy!

depicting the veil

Depicting the Veil by Robin Lee Riley

A bit unsure about this one. It’s written by a white academic feminist, so we’ll see, though I do think it’s an important topic especially for feminists who are white to tackle and work through.

safe house

Safe House edited by Ellah Wakatama Allfrey

This one I had to get cause Whitney made it sound amazing. It’s creative non-fiction by writers from Africa, can’t wait to explore!

3body problem

The Three-Body Problem Cixin Liu, transl. by Ken Liu

Read this one already via Scribd, but it was really good and thought I’d get it for the shelves and a reread.

phoenix

The Book of Phoenix by Nnedi Okorafor

Wanted to get Who Fears Death but they didn’t have it. Shame on you UK bookstores for not carrying more books by Okorafor.

let the right one in

Let the Right One In by John Ajvide Lindqvist

Queer horror for creepy season and also maybe a good read for the R.I.P. challenge.

decolonizing methodologies

Decolonizing Methodologies by Linda Tuhiwai Smith

This is a book I’ve been eyeing for quite a while and I just couldn’t resist any longer. It’s also a keeper for the library I’m trying to build.

*****

And then Verso Books had a flash sale of their e-books for 90% off, how to resist!? I got some works I’d wanted to try for a while and some I wasn’t sure enough about to buy a hardcopy of.

VersoHaul

Dominating Others: Feminism and Terror After the War On Terror by Christine Delphy

More adventures in exploring how feminists who are white take on Islamophobia and the war on terror. We’ll see how that goes, can’t say I’m a fan of the cover.

Serve the People: Making Asian America in the Long Sixties by Karen Ishizuka

This one I’m very excited about, it discusses the radical Asian American movement of the 60s.

The Muslims Are Coming!: Islamophobia, Extremism, And the Domestic War On Terror by Arun Kundnani

This one looks at the intersection of Islamophobia, policing and surveillance in the US while the war on terror supposedly only happened somewhere else.

Policing the Planet: Why the Policing Crisis Led to Black Lives Matter by Jordan T. Camp and Christina Heatheron, eds.

Very timely publication and I wanted to review this but with graduation I didn’t manage to finish before it archived on NetGalley. Well looks like I’ll get to finish the book finally, but less enthusiastic about NetGalley now.

Letters to Palestine: Writers Respond to War and Occupation by Vijay Prashad, ed.

This collection looks really great, it brings together voices Remi Kanazi, Robin D.G. Kelley, Teju Cole and Junot Díaz who discuss a growing awareness in the US of the sufferings of people in Gaza.

Traces of History: Elementary Structures of Race by Patrick Wolfe

This work examines regimes of race brought by colonizers and is written by an Australian academic who does settler colonial studies, so I’m hoping it doesn’t disappoint. Guess there’s a theme here of looking at what potential allies are writing.

Have you read any of these books? Let me know about new books on your shelves or your library stack!!

Review: What Sunny Saw in the Flames

sunny ic for review

What Sunny Saw In The Flames, previously published in the US as Akata Witch, is one of the books by one of my favorite writers that I hadn’t read yet. Published by Cassava Republic, the book is out in the UK now! So run to the nearest bookstore!

What Sunny Saw is a wonderful tale of magic and growing into yourself set in Nigeria. Our protagonist Sunny Nwazue is 12 years old with albinism, she is also American-born, like the author, only having moved to Nigeria when she was 9. The US-title Akata Witch, a slur for American-born Africans further drives home this facet of Sunny’s identity. Living in the town of Aba with her parents and younger brothers, Sunny is furthermore Igbo, one ethnicity in Nigeria. I love this representation of complex identities that also mirror my own experience. We are rarely ever just A or B and this novel also shows the Nigerian perspective, people emigrating, people returning, and people visiting. This goes against most Western tales around movement and immigration which usually only present us with that infamous single story.

We first get an inkling of what is to come, when Sunny, as the title promises, sees something in the flame of a candle. Her vision is of a terrible future and shakes her to the core. She begins the get some answers, when she befriends Orlu and Chichi, who introduce her to the world of the Leopard People. Together with Sasha, they form a quartet of magical students, learning about their juju abilities and spirit selves. But Sunny has the most to learn as she is what is called a free agent, a Leopard person whose parents are Lambs (non-magical). However, her vision looms over her newly-discovered identity and soon the group must face the evil Black Hat.

Inevitably comparisons with Harry Potter come up, but as Brendon importantly points out, “We must stop comparing literature and stories in this way because it gives all the credit to the stories of privilege (White, western, straight, male/man, able).” And so, what annoys me with these comparisons is that Harry Potter and other white, Western works are irretrievably set up as originator of certain plots or the origin from which all else strays. However, as we know, Rowling as well as many other Western writers before her have and continue to “borrow” from other works, mythologies and cultures.

World-building is something that I find Okorafor just excels at. I really enjoyed the culture of the Leopard People and also the book inside the book: Fast Facts for Free Agents by Isong Abong Effiong Isong. I’d love to read more from it. Leopard culture is steeped in Igbo and other West African culture and after my last read taught me about Yoruba culture, it was great to revisit and learn more about the Igbo. Some of these days I need to pick up some more non-Western mythology works! It’s a wonderfully diverse world in What Sunny Saw, and the Leopard community too is made up of various ethnic groups and the African diaspora and globalization have led to secret communities all over the world!

I also appreciated the depiction of everyday struggles of girls in how Sunny has to deal with an abusive father and housework is of course made her chore. Sunny is clever and fierce though and uses some of these expectations to keep her juju abilities and Leopard identity secret from her family.

I would complain about the ending seeming a tad abrupt, but really I enjoy the learning about other worlds parts of books more than violent showdowns so I don’t care, I just had the best time reading this one! Cannot wait for the sequel!!

Other thoughts:

Gaming for Justice

what the log had to say

Spirit blog

Zezee with Books

Have you reviewed this book? Let me know and I’ll link!

Disclaimer: I received a free e-book from the publisher, but never fear I remain my opinionated self!

Review: Yetunde + Author Interview

yetunde

Remember that I wanted to try to read some works of self-published writers and make sure these writers knew they would get the same chance at reviews here as traditionally published authors? Well, here we are! 🙂 Also, make sure to scroll down to the author’s interview after the review!

Yetunde by Segilola Salami is a story about caring and family, that will make you want to hug your mother (figure) and/or your daughters. Unconventionally, Yetunde is told through the eyes of a 9 month old baby, the titular Yetunde. The narrative voice is more complex than that of course, but it presents readers with an interesting new angle from which to explore mother-daughter relationships and Yoruba folktales. Yetunde is also a lovely character, she is fierce, curious and loves freely. With just under 30 pages, this is a short story that also functions as a piece of Yoruba praise poetry, in which Yetunde’s mother tells an ode for her mother who died recently.

We learn a bit about the Yoruba language and the first part of the story translates terms into English so readers should have no trouble following the story. And during the folktale part, sentences are presented in both English and Yoruba. I found this quite accommodating but I think this approach should manage to draw in readers willing to actually learn from context or look up words and those that expect to be catered to. But this is not a story for people who cannot deal with bilingualism, but it will provide those of you who grew up bilingual with points of recognition. Identity, here Yetunde’s Yoruba Nigerian-British identity, is intrinsically linked with language. If you’re interested in Yoruba language, check out the author’s book about learning to count, it’s for children but might help you get started or connect if you’re Yoruba and have children.

The story’s main part consists of Yoruba folktales and through the focus of motherhood, these tales explore the role and importance of women in Yoruba culture. From water benders to Orishas, I especially loved these sheroes who summon deities and save their daughters. These folktales are a tad darker than the charming first section focusing on Yetunde, but they provide depth.

What I enjoyed most about this story was the centrality of women’s close relationships and positive representation of women of color, especially Black women, as loving mothers. Yetunde is about three generations of women: Yetunde, her mother and her grandmother. It’s also about working through your grief and teaching the next generation, about passing on your history and culture.

I found this a lovely story even if I am not a mother, however I am close with mine. You’ll probably enjoy this story if you value close relationships between women and are interested in learning about Yoruba culture. I love that between this story and Nnedi Okorafor’s fiction I am learning more about the different people and culture of Nigeria.

The story shines when it presents Yoruba folktales and depicts the loving relationship between Yetunde and her mother. I found the final section a bit confusing, but overall recommend this story. I’m glad to hear there will be more Yetunde stories and will be following Yetunde’s as well as the author’s development.

Make sure to enter the goodreads giveaway to win a paper copy of Yetunde! The giveaway ends August 31st!

Disclaimer: I was given a free copy of this book by the author, but never fear I remain my opinionated self!

***************

Author Interview Segilola

Segilola Salami is a “Mom first, author, host of The Segilola Salami Show and Self Publishing strategist (helping aspiring authors navigate the minefield that is self publishing).”

Bina: What made you start writing and who do you write for?

Segilola: I think of myself as an accidental writer. Writing just sort of fell into my laps. I write the types of books I would like my little girl to read.

Bina: Where do you draw your inspiration from?

Segilola: My little girl . . . being a mom changes or should I say helps you refocus.

Bina: What is your process with regard to feedback and editing as a self-published author?

Segilola: I ask as many people that I see online that show an interest in reviewing books. I take every critical and complimentary comment on board. It helps me know what I need to do more of and what I need to improve on. After every feedback I receive for my unpublished manuscript, I go back to the drawing board and see how the feedback best fits in with the story. I don’t always use all feedback, especially if they don’t fit in well with the story.

Bina: Yoruba culture is a central aspect of Yetunde. Can you tell us a bit about your own background and your stance on representation in (children’s) literature?

Segilola: I am a Yoruba woman, Nigerian-Brit. I spent my early years in Nigeria, so was exposed to the diverse cultures in Nigeria. As a mom bringing up a little girl in London, I want my daughter to identify with her roots. There’s this saying “you don’t know where you are going, if you don’t know where you are coming from.”

Also importantly for me, there are hidden snippets of wisdom in my books (well I think so). I hope when my daughter is old enough to read them herself, she can learn something. Rather than me just telling her everything.

Bina: Do you feel that self-publishing gives you more leeway with regard to diversity?

Segilola: Absolutely . . . I write the way I feel is best . . . I think I would not have a single book published now if I was waiting for a trade publisher.

Bina: Lastly, are you currently working on a new project and will there be more Yetunde stories?

Segilola: Oh my gosh yes . . . so I have taken a short break from writing children’s books. I wanted to do something for myself. So I wrote an adult book (that no one under 18 should read). It’s called Abiku: A Battle Of Gods, you can read about it here http://www.segilolasalami.co.uk/abiku-a-battle-of-gods/

Once this book is released, I hope to start writing the next Yetunde book. So watch out next year.

Bina: Thanks for answering my questions!

-> You can connect with Segilola Salami on twitter @iyayetunde1 or visit her website.