Diverse Detective Fiction Month- TBR

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It’s here: Diverse Detective Fiction Month! I’m super excited and thanks all who are joining us! (everyone else can still join us, sign up here)

So, this event (go ahead and call it a challenge if you’re feeling competitive) will be hosted by twitter button@siliconphospho and myself, twitter button@Bina_ReadThis because detective fiction is our comfort genre, but at first glance utterly normative, and when Silicon asked for recs and came up with an amazing list, things snowballed. So here we are, who’s in the mood for exploring the diverse side of detective fiction?

Here’s the guidelines:

Have fun! Also, read at least 1 diverse detective story (we encourage you to go for #ownvoices books!) and post a review on your blog or goodreads between October 1st and October 31st. Also, feel free to follow us on twitter and gush a lot about the books or audiobooks or short stories you’re reading! Use the hashtag #DiverseDetectives twitter button

So I kinda took this opportunity to stock up my mystery shelf with some much-needed diverse books. Okay fine, that’s partly the reason for the challenge! Here’s my tbr for the challenge, as you can see, I’m trying to lead by example 😉

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Summer of the Big Bachi by Naomi Hirahara

Blanche On the Lam by Barbara Neely

Cosmic Callisto Caprica & The Missing Rings of Saturn by Sophia Chester

Devil in a Blue Dress by Walter Moseley

Dead Time by Eleanor Taylor Bland

The Eye of Jade by Diane Wei Liang

Cactus Blood by Lucha Corpi

Shades of Black: Crime and Mystery Stories by African-American Authors ed. by Barbara Neely

Make sure to check out our goodreads list for recommendations or vote for books there if you have recommendations for us!

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Review: Yetunde + Author Interview

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Remember that I wanted to try to read some works of self-published writers and make sure these writers knew they would get the same chance at reviews here as traditionally published authors? Well, here we are! 🙂 Also, make sure to scroll down to the author’s interview after the review!

Yetunde by Segilola Salami is a story about caring and family, that will make you want to hug your mother (figure) and/or your daughters. Unconventionally, Yetunde is told through the eyes of a 9 month old baby, the titular Yetunde. The narrative voice is more complex than that of course, but it presents readers with an interesting new angle from which to explore mother-daughter relationships and Yoruba folktales. Yetunde is also a lovely character, she is fierce, curious and loves freely. With just under 30 pages, this is a short story that also functions as a piece of Yoruba praise poetry, in which Yetunde’s mother tells an ode for her mother who died recently.

We learn a bit about the Yoruba language and the first part of the story translates terms into English so readers should have no trouble following the story. And during the folktale part, sentences are presented in both English and Yoruba. I found this quite accommodating but I think this approach should manage to draw in readers willing to actually learn from context or look up words and those that expect to be catered to. But this is not a story for people who cannot deal with bilingualism, but it will provide those of you who grew up bilingual with points of recognition. Identity, here Yetunde’s Yoruba Nigerian-British identity, is intrinsically linked with language. If you’re interested in Yoruba language, check out the author’s book about learning to count, it’s for children but might help you get started or connect if you’re Yoruba and have children.

The story’s main part consists of Yoruba folktales and through the focus of motherhood, these tales explore the role and importance of women in Yoruba culture. From water benders to Orishas, I especially loved these sheroes who summon deities and save their daughters. These folktales are a tad darker than the charming first section focusing on Yetunde, but they provide depth.

What I enjoyed most about this story was the centrality of women’s close relationships and positive representation of women of color, especially Black women, as loving mothers. Yetunde is about three generations of women: Yetunde, her mother and her grandmother. It’s also about working through your grief and teaching the next generation, about passing on your history and culture.

I found this a lovely story even if I am not a mother, however I am close with mine. You’ll probably enjoy this story if you value close relationships between women and are interested in learning about Yoruba culture. I love that between this story and Nnedi Okorafor’s fiction I am learning more about the different people and culture of Nigeria.

The story shines when it presents Yoruba folktales and depicts the loving relationship between Yetunde and her mother. I found the final section a bit confusing, but overall recommend this story. I’m glad to hear there will be more Yetunde stories and will be following Yetunde’s as well as the author’s development.

Make sure to enter the goodreads giveaway to win a paper copy of Yetunde! The giveaway ends August 31st!

Disclaimer: I was given a free copy of this book by the author, but never fear I remain my opinionated self!

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Author Interview Segilola

Segilola Salami is a “Mom first, author, host of The Segilola Salami Show and Self Publishing strategist (helping aspiring authors navigate the minefield that is self publishing).”

Bina: What made you start writing and who do you write for?

Segilola: I think of myself as an accidental writer. Writing just sort of fell into my laps. I write the types of books I would like my little girl to read.

Bina: Where do you draw your inspiration from?

Segilola: My little girl . . . being a mom changes or should I say helps you refocus.

Bina: What is your process with regard to feedback and editing as a self-published author?

Segilola: I ask as many people that I see online that show an interest in reviewing books. I take every critical and complimentary comment on board. It helps me know what I need to do more of and what I need to improve on. After every feedback I receive for my unpublished manuscript, I go back to the drawing board and see how the feedback best fits in with the story. I don’t always use all feedback, especially if they don’t fit in well with the story.

Bina: Yoruba culture is a central aspect of Yetunde. Can you tell us a bit about your own background and your stance on representation in (children’s) literature?

Segilola: I am a Yoruba woman, Nigerian-Brit. I spent my early years in Nigeria, so was exposed to the diverse cultures in Nigeria. As a mom bringing up a little girl in London, I want my daughter to identify with her roots. There’s this saying “you don’t know where you are going, if you don’t know where you are coming from.”

Also importantly for me, there are hidden snippets of wisdom in my books (well I think so). I hope when my daughter is old enough to read them herself, she can learn something. Rather than me just telling her everything.

Bina: Do you feel that self-publishing gives you more leeway with regard to diversity?

Segilola: Absolutely . . . I write the way I feel is best . . . I think I would not have a single book published now if I was waiting for a trade publisher.

Bina: Lastly, are you currently working on a new project and will there be more Yetunde stories?

Segilola: Oh my gosh yes . . . so I have taken a short break from writing children’s books. I wanted to do something for myself. So I wrote an adult book (that no one under 18 should read). It’s called Abiku: A Battle Of Gods, you can read about it here http://www.segilolasalami.co.uk/abiku-a-battle-of-gods/

Once this book is released, I hope to start writing the next Yetunde book. So watch out next year.

Bina: Thanks for answering my questions!

-> You can connect with Segilola Salami on twitter @iyayetunde1 or visit her website.